Flowers exist at the intersection of celebration and loss. In my work, they become material witnesses to memory, change, and care.

Working primarily in oil, I paint flowers saved from funerary rituals alongside those acquired through everyday acts of self-care. I return to them as they age, observing shifts in color, posture, and structure. Through dense, tactile applications of paint, the act of painting becomes a way of staying with what remains.

This practice is rooted in attention, repetition, and touch. Each painting functions as both an encounter and an archive, holding grief not as a moment to move past, but as a living, embodied presence.